Composition Analysis. Handel, Messiah, Hallelujah Chorus Research Paper

Composition Analysis. Handel, Messiah, Hallelujah Chorus - Research Paper ExampleHe spent the last cardinal years of his life in England, which at that time was a prosperous nation and the environment was causative to freewheeling genius as himself. He was a very successful composer. But by 1730s, some(prenominal) emotional and physical exhaustion took over Handel and he started concentrating on composing Sacred Oratorios. They were easier to deal with unconnected Operas, which dealt with large, elaborate and expensive sets and extremely moody and unpredictable actors. The fact remains that Handels most celebrated compositions are his Oratorios. Messiah was composed at an astounding pace, between three and four weeks during August and kinfolk 1741. It was originally intended to be presented during the Easter of 1742. The libretto is by Charles Jennens and is drawn from exponent James Bible. It interprets the Christian article of belief of the Messiah or the Savior. Handel was disappointed with the cold reception of his previous work by the audience of London. probably this is one reason behind premiering it in Dublin on 13th April, 1742. In fact he was skeptical about the reception of the Oratorio by the audience. His earlier pieces were always bonded by a unfluctuating plot and clear narrative. Messiah on the other hand was very loosely bound. ... He set forth them as sort out One The prophecy and realization of theologys plan to redeem populace by the coming of the Messiah. Part Two The accomplishment of redemption by the sacrifice of Jesus, mankinds rejection of Gods offer, and mankinds utter defeat when trying to oppose the power of the Almighty. Part Three A Hymn of Thanksgiving for the final overthrow of Death. The Hallelujah chorus comes during the ending portion of the indorse part of the composition. It has a feeling of a mans realization of coming of Christ and permeates an halo of holiness when the whole chorus sings out together in m agnificent homophony. The lyrics are Hallelujah Hallelujah Hallelujah Hallelujah Hallelujah For the Lord God Omnipotent reigneth. Hallelujah Hallelujah Hallelujah Hallelujah For the Lord God omnipotent reigneth. Hallelujah Hallelujah Hallelujah Hallelujah Hallelujah Hallelujah Hallelujah The kingdom of this world Is become the kingdom of our Lord, And of His Christ, and of His Christ And He shall reign for ever and ever, For ever and ever, forever and ever, King of kings, and Lord of lords, King of kings, and Lord of lords, And Lord of lords, And He shall reign, And He shall reign forever and ever, King of kings, forever and ever, And Lord of lords, Hallelujah Hallelujah And He shall reign forever and ever, King of kings and Lord of lords And He shall reign forever and ever, King of kings and Lord of lords Hallelujah Hallelujah Hallelujah Hallelujah Hallelujah The composer has chosen this chorus to be a high point in his composition. Thus it is richly orchestrated. It contains a con tinuo, lower and upper strings, trumpet and pleximetry in addition to the constant use of soprano, alto, tenor and bass. The